'Treats' Acrylic on wood assemblage ©robinrkent
Showing posts with label contemporary assemblage. Show all posts
Showing posts with label contemporary assemblage. Show all posts

Saturday, September 7, 2013

Footloose Art

I've been moving at a slower pace. Finding time to refuel while continuing to create without adding stress. A change in attitude. Recent pieces are fewer. And looser. Still I must be happy with the results.
"Magic Man' ©robinrkent
I guess when you keep at it, you're bound to notice changes as you go. Sometimes I think growth is not a conscious, deliberate act. More like one foot in front of the other.  If I already knew where I was going, I would have been there sooner!

Glad to find my new footing with this piece. I've had these shoe stretchers for a while and was wondering when the right piece would come along.

I must have been waiting for my 'Magic Man.' He was a compilation of many saved pieces. And they came with their own colors. I didn't paint anything but his hands and face. And even his face had his eye positioned from a suggestion where a previous screw was located. He's big too. Check the yard stick in his skirt.

It was almost automatic. I let him take the lead.
And tried not to step on his toes.

The header above titled 'Treats' recently sold at Stowe Craft Gallery , the new gallery carrying my work. Happy they went to a good home.

Monday, September 3, 2012

Outsiders in a folk art world

I'm a folk artist based in New England. Not many in the large folk art world are located here. Southern (or way southern as in Mexican, or Oaxacan) and African folk artists make up most of its citizens, I think. At least on the internet.
'Siesta Box' folk art box ©robin r kent
Folk art flourishes further north as well. Alaskan and Nova Scotian contemporary folk artists sure do rock it.
Maybe we're outsiders in the folk art world? Outsider folk art. We could claim that as in location, but we might be sterotyped as more reserved in style. Yes, this region might be a tad more stoic. Working with leftovers from nature's prim pantry. But we do embody the every man motif. Few embossed or polished edges here.

Siesta Box , left, acrylic on wood assemblage (about 2/3 life size; 2 boxes: hat crown lifts for small box, arms are the lid for the large box)
He left sitting pretty in a spiffy 2-seater convertible many years ago. I could tell he was made to see more of the world. They looked like a nice couple as they headed for points south. He never looked back.