'Treats' Acrylic on wood assemblage ©robinrkent

Wednesday, December 21, 2011

May the Force Be With You

'We Are Stardust' Assemblage with Acrylic paint
©robin r kent
Even though this holiday season isn't going the way I expected, I still feel its unassuming, familiar spirit this time of year. Maybe it's the early darkness that gives focus to the bigger picture, or maybe it's the stillness that accompanies it. Whichever, it dwarfs my energy with its magnitude, and I like that.
A similar judgement is used when choosing subjects for my next piece. I consider different traits: some grandiose, some meek. I had done a few pieces - assemblage and paintings - of a mystical nature a while ago and it was surprisingly rewarding. Might be time to revisit that, especially this season.
Will try to put it on my 'to do' list. Before the springtime comes.

Saturday, December 17, 2011

Folk Art Diary: Pillow and Art Questions to Sleep On

'Sunday Morning' assemblage  Acrylic on plaque
@robin r kent
Continuing notes from my 'Artist as Nurse' series (see two previous posts.)

My pillow is my most important sleep partner. Soft, hard, chubby or extra long, its position is key to comfort. Each person has his/her own preference. But trying to help another with subtle position changes is no small thing. After a while I began to 'read' what might help: pull a pillow here, loosen a blanket there.

It's the same when painting or creating assemblages. A slight change in color or proportion can make a piece sing, or, will stop and shift focus to the 'uncomfortable' part of the work. Is it an organic sense we feel when interpreting artwork? How do we know such things intuitively?

Friday, December 9, 2011

Lowly Thoughts Far From the Studio

mermaid
©robin r kent
Even though I'm away from the shop, (see previous post) I can still go to it mentally and float through the process I use when creating a new piece. We can dream, can't we?
Mentally I stroke the grains on my antique boards. Always love the feel and texture of aged wood. Its pedigree used to mean the most to me. The most valuable wood I have are the boards from former barns. Even though they are not large enough for other uses now, the full dimension, hand sawn, vintage pieces add depth to my work, and are an art form in itself.
But I have a new love also. Its name is plywood. I love plywood because it allows my drawings to become art. Because its grain goes in both directions, I can cut circles and waves without worry of them breaking along the grain. Like a permissive parent, it lets me venture into the unknown to find my own (or its) limitations. I keep threatening to jump to the good ship 'Polymer', but plywood brings me back to the woodlands. I am now a former plywood snob.
The other unsung hero I find all around me whether in the studio or at the kitchen sink is the lowly rag, Like the barn boards, I always acknowledge its former life first. Some used to be my pajamas. Others were favorite beach towels. Recalling happy times as it scours the sink, cleans brushes. A useful second life in its retirement. We all should be so lucky.

Friday, December 2, 2011

No Pot Roast Around Thanksgiving

Woman at Rest Box
©robin r kent
Well, Thanksgiving didn't turn out as planned. While taking a pot roast out of the freezer, my mother was subject to the laws of gravity and keeled over backwards. The pot roast was for the next night's dinner and needed time to thaw. As my sister-in-law stated, 'They say red meat can be harmful to your health.'
Will be back in touch as soon as I change from nursing cap to blogger/artist apron. Here's wishing a Merry holiday season and better New Year to you all, spoken a might early.